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Thanks to a great many factors, the cocktail has become popular again. It's now trendy to sit in a themed bar or lounge and enjoy the pleasures of the mixed drink. Like food chefs, bartenders are getting known for their specialties. Many tout that they use nothing but fresh ingredients-no packaged mixes or cheap brands allowed. People are now throwing cocktail parties in their homes that are often centered on a particular type of liquor. As with any revived fashion, the new kids on the block have been putting their own stamp on the classic cocktail. However, the whole trend has gotten a little crazy. As an example, there are now well over one hundred variations on the martini available and exotic ingredients are the norm.

My wife and I are old school: we like the classic cocktails. She has always been willing to try ones she hasn't had before; I, on the other hand, have been content for many years to enjoy an unmixed drink [usually straight-up]. For a whole host of reasons, Mrs. Belvedere and I recently decided to start exploring the classic recipes-no Cosmos or Squid-tinis allowed. This column will share with you the results.

FYI: If you want to enjoy reading about the history and recipe variations of classic drinks and well-crafted critiques on various liquor brands, you must check out Eric Felton's weekly column "How's Your Drink" at the Wall Street Journal.

Just remember:
Right now, somewhere in the world, it's Happy Hour....

Happy Hour, 4th Round:
THE COLLINS

Next to the Martini, the Collins has probably enjoyed the most durability amongst the classic cocktails.  This popularity has not been continuous, however.  It has been to the top and has fallen to the depths after a horrific scandal and has risen again; battered and bruised and not quite ascending to the heights it has once known, the Collins has survived and it is respectable once again.

 

Mother Belvedere has been ordering them for as long as I can remember.  When I began bartending at the tender age of thirteen, lo those many years ago in the 1970's, it was the first drink I learned how to prepare and the most ordered cocktail at Father Belvedere's lounge-restaurant-banquet hall.  Little did I know that the way I was mixing the Collins at that time was one of the main reasons it would not see its popularity filter down to the generation succeeding the very early Baby Boomers. 

 

One of the first duties of most bartenders back in that day when he or she arrived to work was to take a clean and empty bottle and fill it with water and Collins Mix.  I know the thought of a pre-mix will horrify those younger people out there who have been introduced to cocktails with only fresh ingredients, but this innovation was seen as a good thing in the 1960's: it made the always harried bartender's life easier [I can attest to this] because it allowed you to make the drink without much thought.  That helped a great deal when someone would order, say, a Vodka Collins and a Ward 8 and you had no time to consult your Mr. Boston about what the hell went into a goddamn Ward 8 because nine other people were waiting to place and get their orders as soon as possible so they could get their glow going and get out on the dance floor to boogie to Proud Mary and maybe, just maybe, show that young lady that they were hip enough to be worth boogieing with beneath the sheets later on. 

 

The new breed of bartenders with their emphasis on natural ingredients and showmanship, I think, saw this version of the Collins as the symbol of everything they were against.  It was the Devil in a glass.  So, for a time it seems, it was shunned―relegated to a very dark place in the minds of the new breed of bartenders…sorry…mixologists. 

 

It is always very important, when you first enter a lounge to get the bartender on your side.  That first tip should be overly generous and a compliment helps an awful lot: these together will ensure that you easily get their immediate attention for future ordering and, perhaps, a stronger drink.  There was a time when one of the key things not to do was to order the Collins; mixologists would give you either a disgusted or pitying look that said: "Are you joking?  I'm a professional and you want me to make that!  I suppose you're one of those dingbats out there who actually like the taste of Collins Mix.  You're probably a bad tipper too.  In fact, get out of my establishment and never darken its door again!" 

 

This began to change a few years ago as the alcohol doctors began to realize that the Collins formula allowed them some creativity.  That formula was quite simple: gin or vodka, lemon juice, sugar, club soda, orange, and maraschino cherry.  As you can see, there's a great deal of room here to play with proportions.  And so the Collins has returned and is now respectable once again: you can order it without the fear that the mixologist will place you forever in his Book Of The Drinking Dead.  It is a variation on the Sour and is often seen as an enhanced lemonade.

 

Mrs. Belvedere and I decided to give the Collins a go.  As you know from past episodes of Happy Hour, she has not, in the past, been a big fan of gin.  With her discovery of Plymouth Gin, however, she has become something of a devotee of the spirit and so I was easily able to convince her that our first Collins should be the original: the Tom Collins.

 

We consulted with Gary Regan and David Embury once again and proceeded on our way.

 

THE INGREDIENTS:
      2 1/2 ounces gin

      1 ounce fresh lemon juice

      ¾ ounce simple syrup [a tablespoon of sugar can be substituted]

      Club soda [preferably Canada Dry]

      1 maraschino cherry
      1 half orange wheel

THE PREPARATION:
—Add 3 or 4 ice cubes to your shaker and let sit for a minute

—Add the gin, lemon juice, and syrup to the shaker

―Shake well

—Strain into an ice-filled collins glass

—Top the glass with club soda
—Garnish with the maraschino cherry and orange wheel

THE RESULTS:
A quite refreshing drink.  Mrs. B. liked it a lot; I, despite the fact that I do not usually like club soda in my cocktails, was satisfyingly impressed.  Though it is often labeled a summer drink, we can understand why people drink it all year round.  It is a great sipping drink. Despite her love of Plymouth Gin, Mrs. Belvedere prefers the Vodka Collins, but says that she would never refuse a Tom Collins.

THE MUSIC:

Anything by Frank or Dino will do.  They both did great versions of this tune:

Almost Like Being In Love
By Alan Jay Lerner and Frederick Loewe
From the Broadway Show "Brigadoon " (1947)

What a day this has been

What a rare mood I'm in

Why, it's almost like being in love

There's a smile on my face

For the whole human race

Why, it's almost like being in love

All the music of life seems to be

Like a bell that is ringing for me

And from the way that I feel

When that bell starts to peal

I would swear I was falling

I could swear I was falling

It's almost like being in love


SPECIAL NOTE:
Mrs. Belvedere and I can’t say enough in praise of Plymouth Gin, so we’ll only say: Give it a try.  One of the reasons we have been negligent in posting more tales of our adventures in Classic Cocktail Land is because we just could not resist the temptations to spend our summer enjoying Plymouth Gin Gimlets.  Now that the Fall is here, you can expect more frequent postings.

Happy Hour, 3rd Round:
THE MINT JULEP
When one thinks of cocktails which capture the spirit of America—reflect a part of it’s character—one thinks of the Martini, the Screwdriver, the Cape Codder, etc.  All grand drinks but, they use spirits not originally developed in America.  The Mint Julep, however, is made with bourbon, a liquor that can only be made in the US of A.  Being proud and true Americans down to our marrow, Mrs. Belvedere and I decided to have a go at the Julep.  And what better day to do so then on the occasion of the most recent Kentucky Derby.  From my mother’s side, I have roots there and the missus had been to one-long ago in her misty past before she met me and her life was made whole.

Most people drink this concoction only on Kentucky Derby Day.  If you are one of those who likes to be separate from the mob, may I suggest 28 May as an alternative.  According to
Richard Barksdale Harwell, this day is celebrated by members of the General P.G.T. Beaurehard Marching And Burial Society as the start of the Julep season [Tip of the hat to Gary Regan].

Mrs. B. prefers Jim Beam for her bourbon, but I insisted that we must try it with Maker’s Mark, as I am an official ambassador for the concoction from Loretto and would be failing in my official duties if we did not use it.  We consulted our main reference once again,
Gary Regan's The Joy Of Mixology, and did not horse-around with any other of the recipe books.

THE INGREDIENTS:

      3 ounces bourbon

      1 1/2 ounces minted simple syrup

      Finely crushed ice

      Straws sized to be 2” taller than the
      4 stems of fresh mint

THE PREPARATION:
—Add the crushed ice to a julep cup or Collins glass [we used the latter] until it is 2/3’s full

—Add the bourbon and syrup

―Stir for 20 seconds and add more crushed ice to the rim

—Stir until a thin layer of ice mist forms on the outside of the glass and add more crushed ice to bring it back to rim height
—Garnish with the fresh mint, insert straws [sized to be 2” taller than the cup or glass], and serve on a cocktail napkin

THE RESULTS:

The first attempt was not as sweet as we expected.  Now…neither the missus nor I like those sickly sweet cocktails.  We like a slightly sugary taste.  Mrs. B. complained that the taste of bourbon was too strong.  Maker’s Mark is a very smooth liquor, so it was obvious that the fault lied elsewhere.  We decided to kick up the syrup content a bit.  We should warn you about a mistake we made prior to our preparation: we had purchased the mint the day before and refrigerated it. DO NOT DO THIS!  When you take it from the fridge, what you get are wilted stems and leaves.

THE MODIFIED PREPARATION:
—Add 2 ½ ounces of the syrup


THE RESULTS:
Much better.  Slightly sweet, but not so much that it made you think you were drinking a pastry or candy. 

The Mint Julep was quite a refreshing and, at the same time, relaxing drink—perfectly suited to a lazy, hazy day.  As to music that complements its imbibing: much like the Gimlet, it works with the swinging easy songs of Dino and Sinatra, but it seems to fit more so with songs in the vein of Blue Sky and Melissa by the Allman Brothers.  Also it fits with Jazz music in the same flavor as the song mentioned below.


THE MUSIC:

Note: I was able to find only one set of lyrics that specifically mention the Mint Julep [paging Mark Steyn again], but the song, Mame, was just too brassy, [You make the cotton easy to pick, Mame / You give my old mint julep a kick, Mame].  I decided to find one that complemented the sipping of this fine concoction.  If you get to listen to this version, you may recognize it as the original theme to This Old House.

Lousiana Fairy Tale
By Mitchell Parish, Haven Gillespie and Fred Coots
As recorded by Fats Waller (06 March 1935)

The dew is hanging diamonds on the clover

The moon is list'n'ing to the nightingale

And while we're lost in dreams

The world around us seems like a Lou'siana Fairy Tale

The breeze is softly singing thru the willows

As hand in hand we stroll along the trail

And love is at its height, enchanting us tonight

Like a Lou'siana Fairy Tale.

Is it real, this fascination?

Are my arms holding you fast?

Are we here, on a plantation

Or can this be heaven at last?

Keep dreaming with your head upon my shoulder

And don't awake until the stars grow pale.

The world is at our feet, the picture is complete

Like a Lou'siana Fairy Tale.

Happy Hour, 2nd Round:
THE GIMLET
For our next adventure into the world of classic cocktails, Mrs. Belvedere and I decided to try the Gimlet.  I had seen it featured some time ago on the show Great Cocktails on the Fine Living Channel and since it contained gin, a spirit I am most partial to, I suggested to the missus that we give it a go.  As she is not a fan of “Mother’s Ruin”, I decided to make it known in my proposal that it was perfectly acceptable to substitute vodka as the main ingredient.  Mrs. B. assured me that I was much mistaken: that she had nothing against gin, but, rather, it was just not one of her favorite flavors.  Armed with this knowledge and knowledge of the very important fact that naval surgeon Sir Thomas Gimlette of the Royal Navy used it “as a means of inducing his messmates to take lime juice as an anti-scorbutic [to prevent scurvy]”, we consulted our main reference once again, Gary Regan's The Joy Of Mixology, and several other sources in our determined effort to see that the Belvedere Household remained free of the dreaded scurvy.  We followed Mr. Regan’s recipe.  As we prepared to mix and sample this concoction, we had a crisis: we had both forgotten to by the brand of gin [Plymouth] we had wanted to try for the first time.  Without showing my angst, I calmly made my way to our bar and discovered that we did not have enough Bombay Sapphire.  There was Tanqueray, but neither of us are fans of “Old Tom”.  I spied a bottle of Beefeater and we were now safe to proceed...


THE INGREDIENTS:
      2 1/2 ounces gin [or vodka for a Vodka Gimlet]
      ¾ ounce lime juice cordial [we used Rose’s Lime Juice]

THE PREPARATION:
—Stir and strain into an ice-filled old-fashioned glass [I stirred the mixture with four ice cubes in a shaker, then poured into the glass].
—Garnish with a lime wedge.

THE RESULTS:

Our first attempt made us pucker and diminished the refreshing aspects. We both agreed that a slight adjustment to the preparation was necessary. I consulted David Embury’s book The Fine Art Of Mixing Drinks, and, while he does not provide a recipe, in passing he mentions sugar as an additional ingredient.

THE MODIFIED PREPARATION:
—Add a half-teaspoon of sugar to the mix and stir with four ice cubes.
—Strain into an ice-filled old-fashioned glass.
—Garnish with a lime wedge.

THE RESULTS:

Much better tasting, with the pucker-factor reduced to a pleasant and pleasing level, and much more refreshing.  We were very satisfied and have been drinking them for the past several weeks.  Recently, we ordered it in a favorite restaurant of our’s and Mrs. Belvedere decided to try the Vodka Gimlet; I, per my nature, stayed with the original.  The bartender served our’s straight-up with dirty ice and, in a separate glass, water, on the side.  Both were excellent.  We were unable to ask the bartender what variation on the recipe he used, but my guess is that he used 2 ounces of liquor and ½ ounce each of lime juice and simple syrup.

The Gimlet works as a wonderful thirst-quenching and refreshing drink for the late Spring and for all of Summer.  I am also happy to report the threat of scurvy at the Belvedere premises is eradicated.  We have found that the Gimlet is very flexible in the music it complements; you can listen to Benny Goodman with Peggy Lee, the lilting and easy swing of Dean Martin and Frank Sinatra, but it also works just fine complementing Lynyrd Skynyrd and the Allman Brothers.

THE ALTERNATIVES:

Variations in the recipe for the Gimlet cab be found here and here.


THE MUSIC:

Note: I was unable to find lyrics that specifically mention the Gimlet [paging Mark Steyn], but we found this drink works well with Peggy Lee, most especially from her years with Benny Goodman.
Why Don’t You Do RIght
By Joe McCoy
As recorded by Peggy Lee and Benny Goodman (27 July 1942)

You had plenty money, Nineteen-Twenty-Two

You let other women make a fool of you

Why don't you do right like some other men do?

Get out of here and get me some money too


You're sittin' down wonderin' what it's all about

You ain't got no money, they will put you out

Why don't you do right like some other men do?

Get out of here and get me some money too


If you had prepared twenty years ago

You wouldn't be wanderin' now from door to door

Why don't you do right like some other men do?

Get out of here and get me some money too


I fell for your jivin' and I took you in

Now all you got to offer me's a drink of gin

Why don't you do right like some other men do?

Get out of here and get me some money too


Why don't you do right like some other men do?

Like some other men do

Happy Hour, 1st Round:
THE OLD FASHIONED
In our exploration of the classic cocktails, Mrs B and I began with one long out of fashion, as it were. The Old Fashioned hadn't enjoyed popularity since the 1960's [Eric Felton claims that John Updike killed it]. My interest in trying it was started as a result of watching the AMC series Mad Men last year. This series takes place in 1960 and follows the lives of members of a top flight advertising agency in New York. The lead character, Don Draper, ordered this drink in one episode and the first thing that struck me was its look: a mixture of brown, red, orange, with a bit of yellow. I suppose that one of the main reasons why the missus and I decided to tackle this one as our first was because we have developed a certain nostalgia for this period, even though we hadn't really lived through it. I think this nostalgia was born out of our frustration with the quality of what is presented in all areas of our culture today. When it comes to music, we pretty much listen to only Classic Rock, Sinatra, Dino, and the great big bands; the majority of the movies we watch are off the schedule for Turner Classic Movies; heck, we still dress formally for wakes and funerals. The dearth of excellence and class in all institutions of our culture has us returning to the times when quality was king. So, I suppose, it is no surprise that when we decided to begin testing and trying our cocktails we would explore the classics.

Our main reference for recipes in this series is Gary Regan's The Joy Of Mixology. He lists three different recipes for it; we chose the Fruit-Style [his favorite] because it seemed as though it would give us the look we saw in that Mad Men episode:

THE INGREDIENTS:
      1 sugar cube
      3 dashes Angostura bitters
      1 maraschino cherry
      1 half wheel orange
      3 ounces bourbon [We used Maker's Mark, my favorite]
        [Regan also lists straight rye whiskey as a substitute; we're bourbon drinkers]

THE PREPARATION:
—Muddle the sugar cube, bitters, cherry, and half wheel orange in an old-fashioned [rock] glass.
—Add the ice and whiskey and stir briefly.

THE RESULTS:
Our first attempt yielded a very cloudy, debris-filled concoction that tasted quite good, but was a bit harsh on the tongue, much like you get from drinking bourbon straight-up. We both agreed that a slight adjustment to the preparation was necessary.

THE MODIFIED PREPARATION:
—Muddle the sugar cube, bitters, half wheel orange along with a teaspoon of maraschino cherry juice.
—Remove the half wheel orange.
—Add the ice and whiskey and stir briefly.
—Add a new half wheel orange and a maraschino cherry to the glass.

THE RESULTS:
Much better tasting with the harsh edge softened, but without losing that kick that bourbon provides. As might be expected, we enjoyed several more that evening. Mrs. Belvedere, as women are wont, even added more maraschino cherry juice to her's.

The Old Fashioned works as a pretty straight-forward, simple cocktail. I maintain, although the missus is dubious, that it helps ward-off colds. A good Fall and Winter drink and also well-suited to kick off dinner at a restaurant [as Mrs. B has done several time since]. It complements listening to the easy swing of Dean Martin.

THE DISSENT:
David Embury, in his book The Fine Art Of Mixing Drinks, suggests using a simple syrup instead of the sugar cube as he believes it makes for a "smoother" drink. However, he offers this advice:

Fruits...properly belong at the end of dinner rather than at the beginning. Accordingly, when serving Old-Fashioneds as an aperitif, I recommend using only the lemon peel with no fruit at all or, at the most, a cherry or a slice of orange.

THE MUSIC:
Make It Another Old-Fashioned, Please

By Cole Porter
From the Broadway Show "Panama Hattie" (1940)

Since I went on the wagon, I'm certain drink is a major crime
For when you lay off the liquor, you feel so much slicker
Well that is, most of the time
But there are moments, sooner or later
When it's tough, I got to say, love to say ... Waiter


Make it another old-fashioned, please
Make it another, double, old-fashioned, please
Make it for one who's due to join the disillusion crew
Make it for one of love's new refugees


Leave out the cherry,
Leave out the orange,
Leave out the bitters
Just make it straight, right

Coming Soon: The Mint Julep, The Collins


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Did They Monkey With the Recipe?
[The Wall Street Journal]
Eric Felten: 'A century ago, in the days before antibiotics, the gathering dangers of growing licentiousness were very much on the minds of the doctors treating social diseases. At a January 1907 meeting of the College of Physicians of Philadelphia, Dr. Howard Kelly of Baltimore presented a paper arguing that “if we can effectively protect the innocent, there will be no more transmission of venereal disease.” As reported in the American Journal of Obstetrics, Dr. John B. Deaver rose to give his learned colleague a hearty hear, hear, and also to place the blame for the situation where it was due: “I have often been astonished to find that cocktails were served at dinner where ladies were present,” the good doctor harrumphed, “and more greatly surprised to find that the ladies drink them more heartily than the men.” Dr. Deaver proclaimed himself to be “strongly opposed to such customs, believing that they are the root of the evil,” and he singled out for disapprobation the Caruso cocktail, calling it “the latest innovation.”'

Sampling Absinthe's Dubious Charms
[The Wall Street Journal]
Eric Felten: 'Absinthe -- flavored with, among other things, wormwood -- gained a reputation as a toxic hallucinogen. In 1915 it was banned in France, the country that had embraced it all too enthusiastically, and soon absinthe was illegal in most Western countries. In the past decade, those prohibitions finally started to fall away, first in Europe and then, two years ago, in the U.S. The new rules allow real wormwood-flavored absinthes to be sold as long as they contain only small amounts of thujone, the wormwoody compound long thought to be responsible for any psychoactive qualities the old absinthes may have had. There's been a proliferation of absinthe brands hoping to snatch up drinkers curious about the liquor's transgressive mystique.'

Spirits Rising
[The Wall Street Journal]
Joseph Tartakovsky: 'In 1831, Pyotr Smirnov was born to illiterate Russian serfs in a village so remote that walking at night required clanking metal sticks together to scare off the wolves lurking at forest's edge. But he had ambition and intelligence. As a teenage apprentice to an innkeeper- uncle in a nearby town, he observed the mechanics of pricing and supply. In his 30s he set up shop himself as a small-time liquor peddler. By 1886, he was selling two-thirds of Moscow's vodka. Soon he was purveyor to the czar, presiding over a company whose product saturated the vast Russian empire. In "The King of Vodka," Linda Himelstein shows how Smirnov pulled off his commercial coup and founded a company that, in one form or another, exists to this day.'

Women Behind Bars
[The Wall Street Journal]
Eric Felten: 'For its culinary gala this year the James Beard Foundation is celebrating "Women in Food," and they are not neglecting the contributions of women in what has become a vibrant sector in the world of cuisine -- cocktails. More than a dozen prominent female bartenders will be mixing original drinks at the May 4 dinner in New York. This may not seem remarkable in our current state of enlightenment, but for the better part of the nation's history women bartenders were more likely to get notoriety than fame. Typical was the 1892 crackdown in St. Louis on "saloon keepers who employ women as attendants." The New York Times reported that prosecutors had secured indictments against half a dozen proprietors for "employing females in dramshops." How odd that women would be barred from behind the bar. After all, one of the great legends of how the cocktail came to be credits a colonial barmaid, one Elizabeth "Betty" Flanagan.'

A Welcome Sign of Vodka's Decline
[The Wall Street Journal]
Eric Felten: 'It's now official (and not a moment too soon): Vodka is passé. The documentation comes in the new edition of Food & Wine magazine's annual drinks book, "Cocktails '09," which hits shelves in a couple of weeks. Each year since the series began in 2005, Food & Wine has collected signature concoctions of prominent (or at least well-publicized) bartenders nationwide. The books have given us a running guide to recent fashion in drinks and are every bit as valuable to the curious and thirsty looking for up-to-the-moment quaffs as they will someday be to cocktail historians. And the early 21st-century trend that stands out more than any other is the steep decline in drinks using vodka.'

He Was a Cocktail Artist
[The Wall Street Journal]
Eric Felten: 'After years and years of scribbling, revising and reconceiving, F. Scott Fitzgerald, in 1934, published his novel of dissolute Americans in France, "Tender Is the Night." Ernest Hemingway didn't like the book, and told Fitzgerald so. "Goddamn it you took liberties with peoples pasts and futures that produced not people but damned marvellously faked case histories," Hemingway wrote in a blistering letter to his old friend. "You cheated too damn much in this one." For all the indignation, one would think that Hemingway was responding to an unflattering portrait of himself. But his anger was in defense of Gerald Murphy and his wife, Sara, the socialites who served as the thinly veiled source material for the novel's central characters, Dick and Nicole Diver. The Murphys' seaside salon at Antibes hosted a circle of friends who defined art and literature in the 1920s -- regular guests included not only Fitzgerald and his wife, Zelda, but Hemingway, Picasso, Cole Porter, Dorothy Parker, Archibald MacLeish and Robert Benchley. This pantheon sunned the days away at the beach and enjoyed impeccable dinners under the grand silver linden tree that framed the garden at the Murphys' Villa America. But before dinner, they were treated to cocktails -- and usually cocktails of Gerald's own invention.'

Bacon sandwich really does cure a hangover
[The London Daily Telegraph]
'Researchers claim food also speeds up the metabolism helping the body get rid of the booze more quickly. Elin Roberts, of Newcastle University's Centre for Life said: "Food doesn't soak up the alcohol but it does increase your metabolism helping you deal with the after-effects of over indulgence. So food will often help you feel better. "Bread is high in carbohydrates and bacon is full of protein, which breaks down into amino acids. Your body needs these amino acids, so eating them will make you feel good." Ms Roberts told The Mirror: "Bingeing on alcohol depletes neurotransmitters too, but bacon contains a high level of aminos which tops these up, giving you a clearer head."'
[tip of the fedora to Andrew Stuttaford]

Tax Rebellion in a Jar
[The Wall Street Journal]
Stuart Ferguson reviewing King Of The Moonshiners: '"The time has come when an honest man can't take an honest drink without having a gang of revenue officers after him," complained Zebulon Vance, a former governor of North Carolina, in 1876. That same year Lewis R. Redmond, a fellow North Carolinian, killed a revenue agent near Brevard, N.C., when the agent tried to arrest him for making and transporting illegal whiskey. The murder elevated Redmond (1854-1906) from obscure moonshiner to notorious outlaw and folk hero. Soon enough he had crossed the state line into South Carolina and, with the aid of friends, evaded attempts to bring him to justice. In fact, Redmond turned the tables and pursued his pursuers -- the government agents -- through the Blue Ridge mountains, invading their homes and rescuing his gang members from jail.'

Helen And Marie
[Arts & Ammo]
Fitzroy: 'There is truth in lore, even when the historical details are in disarray. I refer, of course, to the shape of the champagne coupe. The saucer-shaped glass has fallen out of favor in preference for the flute, which preserves the chill and bubbles for slow drinkers. But the coupe has a sensuous shape, and stories have sprung up about how it was modeled on (or actually molded from) the breast of some famed beauty: Marie Antoinette, Madame de Pompadour, Helen of Troy. Discovering which individual, if any, served as the true model is a fools errand. Truth lies elsewhere.'

Some Cocktails Are Supposed to Taste Funny
[The Wall Street Journal]
Eric Felten: 'Having grown up in a dry household, my first introduction to the concept of the cocktail came, as so much essential cultural knowledge does, by way of Looney Tunes. Saturday mornings in front of the tube, I learned the basic cartoon conventions -- such as the understanding that gravity kicks in not when Wile E. Coyote goes off the edge of a cliff, but only when he looks down and realizes it. Also among the animated verities: Mixed drinks are outrageously potent, and their debilitating effects kick in (like gravity) only after a comic pause.'

Draft Dodgers
[ReasonOnline]
Greg Beato: 'For DIY brewers, Prohibition lasted until 1978. But once unleashed, they revolutionized the industry. “I’d say over 90 percent of small brewers I talk to today have roots in home brewing,” says Papazian, who now serves as president of the Brewers Association, a trade group. “The creativity and innovation they’ve brought to the business has been amazing. The American wheat beers. The fruit beers, the honey beers, the chocolate beers. They were all homebrews first.” Anyone whose thirst for finely crafted beer exceeds their thirst for finely crafted beer commercials should be grateful.'

Decline of the Dry Martini
[National Review Online]
Son of Judge Bork, Charles, from 2007: 'I recently had the opportunity to reprise the decline of the West using the history of the dry martini as a proxy for Western civilization. This was accomplished with the aid of a barmaid who poured five simultaneous-but-historically-diverse martinis — each with a gin-to-vermouth ratio considered daringly dry in its day. Liquid representatives of The Gilded Age, The Jazz Age, The Greatest Generation, The Worst Generation and The Postmodern Age were arranged on the bar in chronological order for this tour of the decline of the Western martini.
To standardize test conditions, each cocktail was ordered “up with twist” and “stirred not shaken.” As a group these cocktails represent the death march of a great culture: first to achievement, then to excess.'

Judge Bork And Martinis
[National Review]
Judge Bork from 1996: '...No, there is only one drink that conveys conservative correctness, spreads warmth and courage throughout one's soul, and has the additional merit of being the most delicious cocktail ever invented. I refer, of course, to the dry martini, a distinctively American invention, which Bernard DeVoto called the "supreme American gift to world culture." (Not that the world accepted the gift very eagerly: until recently the only sure way to get a decent martini in England was to go behind the bar and make it yourself. Most of the rest of the world is hopeless.) The awful truth, however, is that the martini was on the verge of extinction. Just a few years back, no one under the age of forty drank it. Though I can hardly take full credit for the drink's resurgence, I made a contribution. When I was a judge, I used to tell my clerks, who had never tasted one, that martinis are essential to cultural conservatism. Furthermore, I described the ideal recipe. Several of them accepted my argument, with only one unfortunate result: they took to entering bars in Washington and ordering "Judge Bork martinis." This gave a somewhat false picture of life in my chambers.'

The Story of Booze
[The American]
Kevin Kosar: 'Most books on alcoholic beverages are not very good. The authors seldom conduct original research, rarely footnote their claims, and repeat the tall tales and hooey peddled by booze companies and their public relations firms. Equally problematic is the matter of passion: booze writers tend to be booze lovers, which makes them all too susceptible to romanticism and outright sentimentality. Though a fan of alcohol, Iain Gately avoids this tendency, for the most part. Drink (Gotham, $30), his new “cultural history” of booze, abjures the warm and fuzzy in favor of stories that are at times bawdy and fantastically stupid. The result is a humorous and sometimes intriguing book that one can dip into at any point.'

Licorice Whipped
[The Smart Set]
Jason Wilson: 'So the cognescenti have swiftly given the official Thumb’s Down on poor old absinthe. Just over a year ago, the mythic, louche liquor of 19th-century Parisian decadence was classified as a dangerous, potentially hallucinogenic, and banned substance by the U.S. government. By the end of 2008, absinthe was now very legal and very in demand, dovetailing with the recent craze for classic, speakeasy-era cocktails. At least a half-dozen premium brands had come on the market, most selling for over $60 a bottle.... You knew the inevitable backlash was only a matter of time.'

Bad News for Martini Drinkers
[The Wall Street Journal]
Eric Felten: 'Martini drinkers are conservatives. Not necessarily politically, but in temperament: They abjure fad and fashion in drink, hewing to the Platonic form of the cocktail. They would stand athwart history yelling Stop -- if yelling weren't inconsistent with the proper comportment of a Martini drinker. They dislike change. It is with some trepidation, then, that I bring what is almost certain to be received as appalling news: Noilly Prat, the dry vermouth considered by many devotees to be the only choice for a well-made Martini, is changing its U.S. formula. Noilly Prat promises that these changes provide access to "the elegant and relaxed French lifestyle" and "an old-world European sensibility." [!!!]'

Hair of the Dog and Other 'Cures'
[The Wall Street Journal]
Eric Felten: 'Everything old is new again: Medicinal bitters from the bark of exotic trees were the defining ingredient in the original "cocktails, drinks that got going in earnest as a remedy for the after-effects of too much punch or julep or cobbler. The cocktail was thought of as a morning drink -- to be tossed back in hopes of reviving one's damaged constitution. The cocktail canon is lousy with bracers, gloom-lifters, eye-openers and corpse-revivers.'

Regular Drinking Women See Male Faces As More Symmetric
[FuturePundit]
'Even when sober
women who drink more are less able to detect male facial asymmetry. So crooked-faced guys should look for female regular drinkers.'
[tip of the fedora to Instapundit]

Reviving the Martini's Lost Ancestor
[The Wall Street Journal]
Eric Felten: 'Where did the Martini come from? It is a question the exact answer to which is lost to the boozy mists of barroom history. But the rough lineage of the drink is known: the Manhattan -- whiskey and sweet vermouth -- begat the Martinez, a mix of sweetened gin and sweet vermouth, a drink that soon came to be known by the more popular name Martini. But the Martinez-style Martini, made of Old Tom gin, Italian vermouth, bitters, and usually a taste of maraschino liqueur, long ago receded into legend, a missing link between the Manhattan and its evolutionary descendant, the Dry Martini. But now, the missing link can finally be tasted.'

The Secret Language of Cocktails
[Modern Drunkard]
Mike Richardson-Bryan: 'Your cocktail says something about you. For instance, ordering a martini says you appreciate the finer things in life, ordering a gin and tonic says you appreciate the simple things in life, and ordering a boilermaker says you appreciate knowing where your pants are. But mixed drinks go deeper than that, much deeper. When you sidle up to the bar and place your order, you open a window onto your very soul, revealing not only who you are, but also who you long to be. So know your cocktails and order with care, or you might send the wrong message.'

Grand Old Hotels Take the Bar Exam
[The Wall Street Journal]
Eric Felten: 'Once upon a time, hotel bars set the standard for sophisticated drinking, with barmen who were the best in the business. Jack Williams, who was the head bartender at Chicago's Palmer House before Prohibition and then at Washington's Mayflower Hotel after repeal, claimed a repertoire of over 3,000 drinks. Nowadays you're lucky to find a hotel bartender whose vocabulary extends very far beyond Vodka-Tonic. Over the past year and a half, as I traveled around the country, I stopped in at dozens of grand old hotels, incognito, to see if their bars lived up to the tradition. I found a few gems in a sea of expensive mediocrity (punctuated with the occasional fiasco).'

Celebrating Cinco de Drinko
[The Wall Street Journal]
Eric Felten: 'The demise of Prohibition, 75 years ago this coming Friday, is something of a cause for celebration, and it will be treated as such with Repeal Day parties in Washington, Chicago, New Orleans, San Francisco, New York and elsewhere. The trend got started a couple of years ago, when Oregon bartender and blogger Jeffrey Morgenthaler promoted the anniversary as an informal holiday suitable for quaffing. You could say the goal of the cocktail crowd has been to make Repeal Day a sort of Cinco de Drinko.'

Paul Johnson On Drinking In Literature
[The London Spectator]
'Not long before he died, Simon Gray and I discussed the extraordinary paradox: why was it that New Labour does everything in its power to discourage smoking and everything in its power (notably longer licensing hours) to encourage drinking? After all, we agreed, drink caused infinitely more human misery, both to drinkers themselves and to their families, than cigarettes. Smoking does not produce suicides, whereas drinking does, every day. Any doctor or hospital consultant will tell you that booze kills many more people than lung cancer, and that’s not even counting road deaths caused by drunken drivers. Above all, smoking does not lead to crime, whereas over 50 per cent of violent crimes are caused by alcohol. Certainly drink needs no encouragement from government to flourish — society, in Western countries, does that pretty comprehensively. For instance, literature is drink-sodden.'

The Inebriated Election of 1840
[The American Spectator]
Jon Grinspan: 'Picking a president based on his qualifications as a drinking buddy seems like a quintessentially contemporary act, typical of the false familiarity of 21st-century politics. Yet the linkage of booze and ballots is as old as popular democracy itself. In one of the most important elections in American history, enfranchised citizens voted not on the promise of an imaginary Budweiser with the candidate, but because of very real barrels of crisp, refreshing hard cider.'

Tiki Doesn't Have to be Tacky
[The Wall Street Journal]
Eric Felten: 'With the much-repeated words "worst financial crisis since the Great Depression" marking the moment, it seems appropriate to visit that peculiarly American escape -- the tiki bar -- itself born in the depths of the Depression. It was in 1934 that Donn Beach (né Ernest Raymond Beaumont-Gantt) opened Don the Beachcomber in Los Angeles, starting a craze that took roughly 50 years to fizzle. The time seems ripe for a Polynesian Pop revival -- and, in fact, it's already under way.'

A Hood, a Posy, and a Swell
[The Wall Street Journal]
Eric Felten: 'New York Police Lt. Charles Becker was the stuff of a James Ellroy novel. Head of the "Strong Arm Squad," Becker was tasked with busting up the city's manifold illegal gambling dens. And he was very good at smashing up illicit casinos -- at least, that is, the ones that failed to pay him handsome tribute. His head bagman (the "best little poker player in New York," according to the New York Times) was a lanky fellow distinguished by his total lack of hair, having lost all his follicles to a childhood bout of typhoid. In 1911 and 1912, Jacob Rosenzweig -- affectionately known as Bald Jack Rose -- was collecting $10,000 a month for Becker, or better than $2 million a year in today's dollars. It was a racket valuable enough to protect with murder -- and resulted in a sensational killing that would bring infamy to one of the great drinks in the cocktail canon.'

Why Loud Music in Bars Increases Alcohol Consumption
[PsyBlog]
'But turning the music up so loud that people are forced to shout at each other doesn't have quite the same beneficial effect on social interactions. Because everyone is shouting, the bar becomes even noisier and soon people start to give up trying to communicate and focus on their drinking, meaning more trips to the bar, and more regrets in the morning. Of course this is exactly what bar owners are hoping for. People sitting around quietly nursing their drinks for hours are no good for profits. Talkers aren't the best drinkers. At least that is the received wisdom in the industry. And this received wisdom turns out to be accurate according to field studies conducted in French bars by Professor Nicolas Guegen and colleagues.'

Prefab Mixes: Buyer, Beware
[The Wall Street Journal]
Eric Felten: 'The infantilization of drinkers remains the top marketing point for the prefabbers. The flacks for that supermarket standby, Rose's Cocktail Mixers, sent out a press release for their Mojito mix this summer touting it as "a solution to complicated drink-making." Complicated? Crush some mint in sugar syrup and fresh lime juice; add white rum, club soda and ice; stir. Is it supercilious to suggest that those for whom this is a task of surpassing complexity are better off not dulling their wits further with alcohol?'

Alcohol helps us remember the good times - and forget the bad, experts say
[The London Daily Mail]
'Scientists have shown alcohol helps us remember the good things and forget the bad. Alcohol affects memory formation meaning that memories of the start of the night, when we are merely tipsy and are having fun socialising with our friends, are strong and happy ones. But any embarrassing antics that occur as we become more and more inebriated are quickly forgotten.'

Bacardi And The Long Fight For Cuba
[The Washington Post]
Linda Robinson reviewing Tom Gjelten's new book: 'Drinkers the world round know the name Bacardi means rum, but few non-Cubans know that this global enterprise was founded -- and is still owned -- by a Cuban family that played an important role in the island's social, political and economic history.'

Great Minds Drink Alike
[The Smart Set]
Tony Perrottet: 'If the Bacchanalia created a blueprint for our most depraved debauches, the ancients also bequeathed us its more elegant counterpart: the learned drinking party or symposium. Like the Algonquin roundtable of 1920s New York, it was a brilliant excuse for all forms of excess....'

What the Fuss Was About
[The Wall Street Journal]
Eric Felten looks at the once-popular cocktail the Planter's Punch.

Classicists vs. Bar Chefs
[The Wall Street Journal]
Eric Felten: 'Two schools are vying for pre-eminence in the world of high-end drinks: The classicists, who strive to perfect the canonical cocktails; and the culinary "bar chefs," who wish to elevate drinks-mixing from quotidian craft to an art on par with haute cuisine.  It's easy to distinguish the two groups, even in a hotel full of cocktail conventioneers: The classicists are the ones arguing over whether the correct recipe for a Clover Club is found in Albert Stevens Crockett's 1931 "Old Waldorf Bar Days" or Harry MacElhone's 1921 "ABC of Mixing Cocktails"; the culinary cocktailians are the ones debating which Sonoma farmer's market is the best source for organic tarragon and consulting on the chemical attributes of emulsions.'

Drink: A Cultural History Of Alcohol
[Washington Post]
Jonathan Adler reviewing Iain Gately's book: "Like it or not, alcohol has been and always will be with us, an important part of human history, culture and society. It can't be wished away, as should be understood by Americans above all, having suffered through Prohibition and its appalling consequences.  Better, instead, to face up to the inescapable reality of it and try to understand the many ways in which, over the ages, we have used and abused it, profited and suffered from it, refined it and been changed by it."

The Bacchanal: A History
[The Smart Set]
Tony Perrottet: Rich or poor, young or old, Romans loved raising a glass to the god of wine. Today, the term “bacchanal” is bandied about at almost any gathering where the guests get a bit tipsy and mildly frisky, but it originally referred to a specific ancient Roman celebration — the frenzied rites of Bacchus, god of wine and intoxication. Unlike the formal banquets so beloved by Roman aristocrats, these were essentially outdoor rave parties — anarchic romps held after dark in remote forest settings, where the quest for mania (a total festive abandon) could proceed unfettered beneath the stars.

First Amendment Lite: How the feds police liquor-related thought crime
[Reason]
'When Lance Winters, master distiller for St. George Spirits, submitted a label for his version of the spirit in 2007, it took him seven tries before he gained [Alcohol Tax and Trade Bureau] approval. First, he says, the TTB told him the word absinthe appeared in too large a font. Then it told him his label looked too much like a British pound note. Then it said the label’s depiction of a monkey beating a human skull with a pair of femurs implied that the product had hallucinogenic properties—impermissible, since the Code of Federal Regulations does not allow labels that “create a misleading impression.”  This, alas, is government by Rorschach test.'

Dispatch From a New Orleans Drinks Convention
[New York Post]
Carla Spartos: 'Indeed, there was a pervasive sense that the modern cocktail movement - which stresses fresh ingredients and a chef-like approach to drink-making - has gotten a bit too full of itself. A few took issue with the term "mixologist" and said they preferred a return to the good old days when they were known simply as bartenders. "We're not curing cancer," said Todd Thrasher of Virginia's Restaurant Eve.'

A History of Hooch
[New York Magazine]
Sam Anderson reviews Iain Gately's Drink: A Cultural History Of Alcohol.

Drink Makers Create A Stir
[The Wall Street Journal]
"Premium-liquor drinkers now have premium mixing options as drink makers are targeting upscale imbibers who don't care for standard mixers from the local supermarket. 
Instead of high-fructose corn syrup and artificial flavoring, drink makers are using cane sugar and natural flavors as they roll out the next generation of tonics, cocktail sodas and mixers."

When The Liqour Store Is No Help
[The Wall Street Journal]
Eric Felten [How's Your Drink?] with help finding those hard to get cocktail ingredients.

Missionary For Wine

[The American Spectator]
Robert Mondavi, R.I.P.

A Few Too Many
[The New Yorker]
The Hangover Artist
[Wall Street Journal]
On hangovers

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"Never trust a man who has not a single redeeming vice."
WINSTON CHURCHILL

"I never trust a man that doesn't drink."
JOHN WAYNE

"I have already made mention of the happiness I have derived throughout my life from literature, and I should here, perhaps, acknowledge the consolation I have never failed to find in the fermented juice of the grape. Writing in sixty-fourth year, I can truthfully say that since I reached the age of discretion I have consistently drunk more than most people would say was good for me. Nor do I regret it. Wine has been to me a firm friend and a wise counsellor. Often, as on the occasion just related, wine has shown me matters in their true perspective, and has, as though by the touch of a magic wand, reduced great disasters to small inconveniences. Wine has lit up for me the pages of literature, and revealed in life romance lurking in the commonplace. Wine has made me bold but not foolish; has induced me to say silly things but not do them. Under its influence words have often come too easily which ought not to have been spoken, and letters have been written which had better not have been sent. But if such small indiscretions standing in the debit column of wine’s account were added up, they would amount to nothing in comparison with the vast accumulation on the credit side.”
DUFF COOPER

"When I read about the evils of drinking, I gave up reading."
HENNY YOUNGMAN

"I may be drunk, Miss,
but in the morning I will be sober and you will still be ugly"
WINSTON CHURCHILL

"Alcohol may be man's worst enemy,
but the bible says love your enemy."
FRANK SINATRA

"I drink to make other people interesting."
GEORGE JEAN NATHAN

"Twas a woman who drove me to drink...
I never had the courtesy to thank her. "
WC FIELDS

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